Scar(ve)s
Relearning the world through matter.
Over the course of a year, I developed a textile dyeing process using only vegetation collected from my garden in Banyoles: weeds, wilted flowers, fallen fruit, dry leaves and other organic remains that usually stay at the margins.
The research did not aim for a specific colour palette, but for a way of observing how these materials could transform when given time, attention and presence. What first appeared as residue began to generate unexpected colours, marks and relationships.
This project begins with a question that runs through all my work: what happens when we change the way we look at what surrounds us. It is not only matter that can take on another dimension; our way of relating to the world, to time, and to what we usually consider useless, fragile or finished can also change.